1957

May

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The Two Miss Hemingways

A Comedy-Thriller by Wilfred Massey

Directed by David Beeching

Cast
Gladys Pollitt Elizabeth Neville
Mrs. Gilmour Alex Mailer
Bob Lindsey Bert Gallop
Hazel Royd Marjorie Vandervord
Linda Carson Dee Beeching
Steven Warren David Beeching
Mrs. Addison Judy Corson
Miss Tranter Elsie Stevens
Miss Hemingway Doris Taylor-Smith
Miss Lucy Gwen Wedgewood

The action of the play takes place in a room at White Lodge, Ambledon Heath, on the quieter outskirts of London.

The preview (right) carried in the local newspaper gives little away concerning the plot, but it does give some interesting background on two key members of the cast.

Doris Taylor Smith is named as the Chairman of the group. It is not clear whether she has held this position since the formation of the group, but she was certainly a founder member, and appeared in the first production. The article goes on to give details of Doris's previous experience, both before and during WWII.

Alex Mailer, we now know, has been in the post of treasurer (I always felt that we had a certain affinity) since the beginning. Her stated determination not to appear on stage was short lived since she is listed first in order of appearance in "On The End Of The Pier", which was the first of four plays presented as a part of the Players' first production in 1951. She received a positive review for her debut showing and will remain a regular cast member well into the 1960s. Sorry Alex, "resistance is futile!"

The article headed "Challenge" has nothing to do with the Fairlight Players, but it intrigued me nevertheless. "Hats off" to Vernon Charles, who mastered 293 cues (and presumably a similar number of lines) in just 3 days, and needed only one prompt. He comes over as a modest man, and is (or was) also a playwright. I wonder if we could find any of his plays.

These two pictures (above and below) were not labelled, and for some time sat in the "unknown" folder. However, careful study of the archives suggest they most probably relate to this play.

The presence of Bert Gallop (the only male in the picture) dates it to 1955 or after (or possibly the Spring of 1954 as we have no programme for that) while the small stage suggests that it pre-dates Bonaventure (Autumn 1957) which, according to the review, took place on a newly enlarged stage.

Bert Gallop here shares the stage with eight women, a relatively rare event, but one which matches the cast list for this play. If my hypothesis is correct, the only person missing is David Beeching, who also directed the play. Perhaps he was behind the camera. Can anyone identify any of the ladies?